Jim Lauderdale

Jim Lauderdale

The Easy Leaves

Thursday, April 20th

Doors: 7:00 pm / Show: 8:00 pm

$24 Advance/$26 Door

All tickets are subject to an additional $4 per ticket facility fee.

Jim Lauderdale
Jim Lauderdale
Jim Lauderdale is a multi-talented performer and songwriter, with successes in both country and bluegrass music. His roots stem from the Carolinas, yet his career has taken him all over the United States and abroad, making him an international recording artist with an ever-growing fan base. Jim won "Artist of the Year" and "Song of the Year" at the first "Honors and Awards Show" held by the Americana Music Association in 2002. Subsequently, he has hosted this same show for the last seven years.

He is among Nashville's "A" list of songwriters, with songs recorded by artists such as: Patty Loveless, George Jones, The Dixie Chicks, Solomon Burke, Mark Chesnutt, Dave Edmunds, John Mayall, Kathy Mattea, Lee Ann Womack, Gary Allan, Blake Shelton. Vince Gill, and George Strait. He also contributed several songs to the successful soundtrack of the George Strait film, "Pure Country." Not content to just write hits for the stars, he's toured with the likes of Lucinda Williams, Mary Chapin Carpenter, Rhonda Vincent and Elvis Costello, among others.

Jim's musical influences include the legendary Dr. Ralph Stanley and George Jones. These influences and his unique sense of melody and lyric help forge a sound that is truly his own. He is a 2 time Grammy winner, winning his first in 2002 with Dr. Ralph Stanley for "Lost in the Lonesome Pines" (Dualtone). His next one came for his second "solo" bluegrass album, "The Bluegrass Diaries" (Yep Roc 2007) at the 50th Grammy Awards! His first CD with Dr. Stanley, "I Feel Like Singing Today" ( Dualtone/Rebel 1999) received a Grammy nomination as did his first solo bluegrass CD titled "Bluegrass"(Yep Roc) from 2006. His current release, "Patchwork River" (his second collaboration with Grateful Dead lyricist, Robert Hunter) is currently on the Americana radio charts.

As a performer his credits include production, writing and collaborating on albums such as, "Wait 'Til Spring" (SkyCrunch/Dualtone 2003) with Donna the Buffalo, and "Headed for the Hills" (Dualtone 2004) his first total project with Robert Hunter. The remainder of Jim's 18 albums include: "Planet of Love" (Reprise 1991), "Pretty Close to the Truth" (Atlantic 1994), "Every Second Counts" (Atlantic 1995), "Persimmons" (Upstart 1998), "Whisper" (BNA 1998), "Onward Through It All" (RCA 1999), "The Other Sessions" (Dualtone 2001), "The Hummingbirds" (Dualtone 2002), "Bluegrass" (Yep Roc 2006), "Country Super Hits, Volume 1″ (Yep Roc 2006), "Honey Songs" (Yep Roc 2008), "Could We Get Any Closer?" (SkyCrunch 2009) and "Patchwork River" (Thirty Tigers 2010).

"It's been a particularly great period for me," says Lauderdale. "Thanks to the records – I'm performing more and more, which I love. And I love that I can play the Opry one weekend, a jam-band festival the next and then a bluegrass festival the following week. That's really inspiring to me and I think there's a real thread there. The roots are the same for all of them and that's the music I'm interested in."
The Easy Leaves
The Easy Leaves
Old Standards, New Directions is a mighty fine slogan for the The Easy Leaves - Or New American Music from the Western Edge. Full-Spectrum Americana also does the trick. And as elated as they certainly would be by these turns of a carnival barker, this fine tuned yet loose, crafty yet tender, down-home racket of The Easy Leaves travels endless country miles past tweety length, out catching any catch phrase. So if you're interested in getting properly acquainted with The Easy Leaves, a good-listen to the music itself is the only way.

Their new record, American Times (Omega Records), spans the breadth of American roots music from grassland stomps, minor swings and Honky Tonk grinds, to personal spirituals, and Rhythm and Blues. One example of the latter mentioned influence, the track Fool on a String, holds its own with ease, a worthy reciprocal to The Rolling Stones' Under My Thumb.

The album also has an anthem, Keep It Country. The cruising dreamscape Honky Tonk Magic flirts with Doo-Wop melody and speaks to a purer time, and the empyrean feeling of a love lost. The (almost) title track, The American, extra handsome and honest, is about acceptance of self, and of something bigger. Heathen is about a relationship with organized religion, and it "goes there" with matchless finesse. And if this record were a religion the central belief might just be that the spirit of a rowdy drunken celebration and that of an old-time revival salvation are not separate. But , American Times as religion also wouldn't try and force you to believe anything (maybe everything though? Maybe too it'd pull a shiny nickel from your ear, unscrew the top to the salt shaker, and help Grandma cross the street).

The Easy Leaves, songwriters Kevin Carducci and Sage Fifield, formed north of the Golden Gate in 2008 immersed in a diverse set of flailing rockers, gospel skeptics, and country outlaws. Their initial intent was to establish an old-time string band. However, this did not happen (at all). In love with just too many different musics, artists as disparate as Bob Wills and Smokey Robinson slinking into their songwriting, Kevin and Sage gave up their banjo habits cold-turkey. The Easy Leaves'sound was born- A modern acoustic sound, its roots kept close to the chest while tirelessly sprawling out in new directions that stretch the borders of the Americana genre in exciting ways.

"Our sound is a personal distillation of American music, based on the styles we like and all the songs and sounds we've been saturated with." The finest filters on this still are songs written with painstaking attention to detail and dynamic intricate vocal harmonies. They're melodic, lyric-driven (catchy-as-all-hell) compositions pinned with the syncopated rhythm of two acoustic instruments, guitar and upright bass. A trap kit, and pedal steel – The whipped cream and cherry.

Live, The Easy Leaves beguile any kind of audience.

Now here, with the explanation wrapped up, you might have concluded, might say, These The Easy Leaves are bringing in from most any musical column – We've heard of these turn left then right types. You're probably correct. From that you might then conclude, might say, A record that does that must not be focused – Why these The Easy Leaves can't keep their hands out of the Johnson's trick or treat candy. But then see, with all due respect, you are not correct. To the contrary it doesn't get more honed-in than The Easy Leaves, than American Times. And to know this for sure, know what's being talked about, give that good-listen a go.