Peter Rowan: Carter Stanley's Eyes with special guests Don Rigsby and Scott Law

CD release concert celebrating a bluegrass legend

Peter Rowan: Carter Stanley's Eyes with special guests Don Rigsby and Scott Law

Don Rigsby, Scott Law

Saturday, December 8th

Doors: 7:00 pm / Show: 8:00 pm

$26 ADV / $30 DOOR (plus fees)

  • All tickets are subject to an additional $4 per ticket facility fee.

Peter Rowan
Peter Rowan
Peter Rowan
Patrick Sauber
Blaine Sprouse
Paul Knight
Don Rigsby (special guest)
Scott Law (special guest)


Peter Rowan celebrates bluegrass traditions with mix of originals and songs by Carter and Ralph Stanley, A.P. Carter, Lead Belly, Bill Monroe and others.

Rowan was just a young bluegrass boy when he caught the attention of Bill Monroe, who made him an actual Blue Grass Boy in 1963, or maybe ’64. Rowan isn’t certain exactly when he became the band’s guitarist and lead singer, but the moment Monroe introduced him to fellow icon Carter Stanley is etched in his memory just as indelibly as the inked entry in his 1966 diary. Within a few months, Stanley would be gone, but the impact he and his brother, Ralph, had on Rowan — and the world — would grow even stronger. He acknowledges their influence, and finally gives the story of that meeting a definitive telling, with his new Rebel Records album, Carter Stanley’s Eyes.

The album pays respects to bluegrass’s most famous brothers with two songs penned by each; others, such as the traditional “Hills of Roane County” and the Carter Family’s “Will You Miss Me,” were Stanley Brothers staples. Even the album’s opener, Rowan’s own “Drumbeats on the Watchtower,” nods to Ralph, who retitled it (from “Wild Geese Cry Again”) when he recorded it.

Obviously, Rowan didn’t mind. In fact, he was ecstatic when Stanley told him he’d cut it. “To me, that was real fulfillment, to be covered by one of the masters,” he says.

“But this album is not a tribute to the Stanley Brothers; it’s an honoring of them, and of my roots,” Rowan clarifies. More specifically, it maps the path he followed from their musical roads to his own. Along the way, he visits Monroe (“Can’t You Hear Me Calling”), the Louvin Brothers (“A Tiny Broken Heart”) and Lead Belly (“Alabama Bound”), whose presence reinforces both his and Monroe’s blues influences.

Photo Credit: Amanda Rowan
Don Rigsby
Don Rigsby
Don Rigsby, from Isonville, Kentucky, is a word-class singer, mandolin player, fiddler, guitarist, and producer in the bluegrass tradition. He is known for his solo career, and for his work with the Lonesome River Band and Longview.
Scott Law
Scott Law
Multifaceted artist Scott Law is a powerful instrumentalist, singer­-songwriter and raconteur operating at the very highest level of his craft. Hailed as an “esteemed flat-picker” by Acoustic Guitar magazine, Law is equally reverent and inventive on electric guitar, acoustic guitar and mandolin and sought after as both leader and accompanist.

Law’s shape-shifting sonics reflect primary colors of the American musical panorama. Having sown deep roots in blues and the Bakersfield-tinged country Telecaster of Don Rich and Clarence White, Law’s electric guitar is widely appreciated for giving a feel and melodic fluidity reminiscent of Jerry Garcia.

Law’s acoustic touch free-ranges from the hardcore flat-picking school of Doc Watson to the finger-style rags & blues of Big Bill Broonzy and Mississippi John Hurt. On mandolin, Scott brings a dusky, driving tonality primarily influenced by Bill Monroe and David Grisman.